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The cover image for this post is being embroidered. Once it is ready, it will frame this post.
Recipe: bolinho de chuva (rain cake)
In the previous texts, I told the story of the bolinho de chuva. How it was born in colonial kitchens, how it crossed the Atlantic and met the beignets of New Orleans and the calas that bought freedom.
Now I will teach you how to make it in the most traditional way I know.
Bolinho de chuva
Ingredientes:
| Ingredient | Quantity | Note |
|---|---|---|
| Egg | 2 units | Can be free-range or farm-raised |
| Sugar | 1 cup | You can use brown sugar, if you like |
| Milk | 1 cup | Whole milk if you have no intolerance, but you can adapt |
| Wheat flour | 2 e ½ cups | Sifted |
| Baking powder | 1 tablespoon | It’s the cake version (not baking soda) |
| Oil | enough for frying | Prefer vegetable oils: sunflower, corn, or canola |
| Cinnamon | to taste | To mix with the sugar at the end and sprinkle |
Utensils: bowl, spoon, slotted spoon, thick-bottomed pan, absorbent paper.
Method
1. Mix the base ingredients
In a bowl, crack the eggs and add the sugar. Mix.
Add the milk and stir slowly. The batter will become creamy.
2. Incorporate the flour
Add the flour gradually, sifting it in.
Stir. Finally, add the baking powder.
3. Heat the oil
Place the oil in the pan. It needs to be very hot, but not smoking (ideal temperature: 180°C / 350°F, when a small piece of batter dropped in bubbles and rises).
4. Shape and fry with the right spoon
Use two tablespoons: one to scoop the batter, the other to push the batter to drop into the oil.
The little cakes will brown and grow. Turn them carefully. When they are evenly golden, remove with a slotted spoon and place on absorbent paper.
5. Sprinkle with sugar and cinnamon
Mix the sugar with the cinnamon in a separate bowl. Coat each little cake while still hot—the heat will make the sugar stick and form a crunchy shell.
6. Serve and, if possible, share the little cakes with those you love.
When you prepare this recipe, you are repeating an ancestral gesture.

Founder of Devir Bordado, but also an embroiderer and researcher. This text is part of an ongoing investigation into how making produces knowledge, memory, and transformation.
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